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- CANON 7D USED ON AVENGERS MOVIE
- CANON 7D USED ON AVENGERS 1080P
- CANON 7D USED ON AVENGERS MANUAL
- CANON 7D USED ON AVENGERS UPGRADE
To quote Filmmaker Magazine, the C100 Mark II ".would be an impressive upgrade - if this were coming out in December 2013."Įven leading C100 advocate and shooter Noam Kroll won't be upgrading. Nor, as far as I can tell, does it fix the C100's CMOS rolling shutter problem.Īdmittedly, URSA is 10 pounds heavier, CFast cards are expensive - and shooting with a "big screen TV" in your face instead of a viewfinder is an acquired taste - but, for TV commercials and indie filmmaking, the URSA's feature set and image quality are competitive with the $20,000 C500 at the price point of a $5499 C100 Mark II with a Blackmagic HDMI to SDI converter.
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CANON 7D USED ON AVENGERS 1080P
In this world, it makes a lot less sense to announce a $5499 Canon C100 Mark II that records at a maximum 1080p resolution and 60fps frame rate to an 8-bit compressed codec - and doesn't fix the limitations of the C100's consumer HDMI output. Now we live in a world where $5995 will buy a Blackmagic URSA - an EF mount Super 35 camera with a global shutter and pro SDI out that records to UHD/60p 12-bit RAW.
CANON 7D USED ON AVENGERS MANUAL
The price points for the new Cinema EOS cameras were high - but not unreasonable in a world where the competition was the then-aging Panasonic AF100 (with its small sensor and poor low light performance) and the newer Sony FS-100 with its strange top mounted LCD/viewfinder and boxy ergonomics.Īnd when the C100 was introduced a year later, it quickly became a DSLR upgrader's favorite - the only Super 35 camera you could buy below $10,000 with the compact form factor of a DSLR, but with no recording time limit, essentially no moire, built-in XLR jacks with decent pre-amps, a top handle and manual rather than menu-based controls of key camera functions.Īnd it was 100% compatible with the wide range of Canon EF lenses, which a lot of shooters had in their camera bags.Īs a result, over the past couple of years, as the price for this camera dropped from the $6499 introductory price to the current $4499 (for the non-dual pixel autofocus version), Canon sold a lot of them.īut, over the past few years, the landscape has changed. They were stepping into the big leagues of Super 35mm digital filmmaking with feature-rich and cinematographer-friendly cameras for pro Canon shooters who wanted to step up from DSLRs. They spent a lot of money and made a big deal of it - and rightfully so.
CANON 7D USED ON AVENGERS MOVIE
Directed by Joss Whedon, the film is the latest and most extraordinary Marvel Studios Super Hero movie to date.When Canon introduced the Cinema EOS line back in 2011, they held a big Hollywood event, with expensively produced introductory videos and many of the luminaries of the industry in attendance. The Avengers shows an epic confrontation between nightmarish super villains attacking the Earth and the super-heroic team of Iron Man, Captain America, The Incredible Hulk, Thor, Hawkeye, and Black Widow. McGarvey was able to slide one of the Canon cameras into a sewer grating, while placing another under a pile of debris for a key shot of a car hurtling toward the lens, flipping through the air on fire. Using multiple cameras limited the need to re-shoot complex action scenes, and the affordability and compact size of the cameras enabled the crew to obtain ample coverage by strategically angling them from various vantage points throughout the set.
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On the set of Marvel’s The Avengers, McGarvey and his crew used five Canon 5D Mark II cameras and two 7D models. With intense action and visual effects captured by the Canon cameras, The Avengers required close-quarter action work with unrepeatable stunts. Canon announced that its EOS 5D Mark II and 7D Digital SLR cameras have been used on the set of Marvel’s latest movie, The Avengers, to capture thrilling point-of-view (POV) action shots that can be seamlessly intercut with footage from the film’s principal 35mm and digital cinematography cameras to heighten the film’s visual impact.